Darwin-based artist Max Bowden paints heart-felt depictions of the Top End landscape, providing tangible insights into nature’s power in north Australian climates. Her paintings capture the dramatic atmosphere and moods that only the tropical north provides. Not only a depiction of her literal surroundings, Bowden draws upon the landscape as a motif to untangle the idiosyncrasies of human life and the habits of others. For Bowden, painting is a tool to understand and capture the emotional climate of her environment.
In her forthcoming exhibition at James Makin Gallery, Bowden introduces intimate interior scenes to her vocabulary of landscape and suburban scenes. This introduction is a step further inward to the artist’s articulation of emotion and place, seeing Bowden capture moments within her own home. Despite their direct, personal link to the artist, these scenes have an apparent universal domesticity to them, drawing viewers to consider, along with the landscape and the suburbs, their internal environment as a potent field of emotional metaphor.
Important to Bowden’s work is the visible presence of underpainting – in many works, this is prominent, glowing bright blue around the canvas’ edge, or in small moments upon it. For Bowden, this is an important aspect when capturing the emotional barometer of her landscapes. What the artist sees and experiences is only one reading in a moment in time, there is always something happening underneath and around it. What one sees as essential is not a definitive reading, it floats atop a vast and moving realm of experience. There is a shifting pendulum of experience: what you think you know, what actually is, and how your assumptions can impact perception. To Bowden, there is no set reality – it is a malleable surface, layered and shifting.
Max Bowden was born in Melbourne, Australia, and now lives and works in Darwin. She studied visual arts at the Central School of Art in Adelaide, receiving the school’s first scholarship. Bowden holds a Bachelor of Visual arts from Charles Darwin University and a Postgraduate Degree in Psychology. In 2022 Bowden was named a finalist in Hadley’s Art Prize. Her forthcoming exhibition, Pedulum, at James Makin Gallery is the artist’s second major solo exhibition with the gallery, following a debut sell-out showing.
Darwin-based artist Max Bowden paints heart-felt depictions of the Top End landscape, providing tangible insights into nature’s power in north Australian climates. Her paintings capture the dramatic atmosphere and moods that only the tropical north provides. Not only a depiction of her literal surroundings, Bowden draws upon the landscape as a motif to untangle the idiosyncrasies of human life and the habits of others. For Bowden, painting is a tool to understand and capture the emotional climate of her environment.
In her forthcoming exhibition at James Makin Gallery, Bowden introduces intimate interior scenes to her vocabulary of landscape and suburban scenes. This introduction is a step further inward to the artist’s articulation of emotion and place, seeing Bowden capture moments within her own home. Despite their direct, personal link to the artist, these scenes have an apparent universal domesticity to them, drawing viewers to consider, along with the landscape and the suburbs, their internal environment as a potent field of emotional metaphor.
Important to Bowden’s work is the visible presence of underpainting – in many works, this is prominent, glowing bright blue around the canvas’ edge, or in small moments upon it. For Bowden, this is an important aspect when capturing the emotional barometer of her landscapes. What the artist sees and experiences is only one reading in a moment in time, there is always something happening underneath and around it. What one sees as essential is not a definitive reading, it floats atop a vast and moving realm of experience. There is a shifting pendulum of experience: what you think you know, what actually is, and how your assumptions can impact perception. To Bowden, there is no set reality – it is a malleable surface, layered and shifting.
Max Bowden was born in Melbourne, Australia, and now lives and works in Darwin. She studied visual arts at the Central School of Art in Adelaide, receiving the school’s first scholarship. Bowden holds a Bachelor of Visual arts from Charles Darwin University and a Postgraduate Degree in Psychology. In 2022 Bowden was named a finalist in Hadley’s Art Prize. Her forthcoming exhibition, Pedulum, at James Makin Gallery is the artist’s second major solo exhibition with the gallery, following a debut sell-out showing.
SELECTED SOLO EXHIBITIONS
2023
Limited release, James Makin Gallery, Melbourne
2022
Pendulm, James Makin Gallery, Melbourne
2021
Habits, James Makin Gallery – Melbourne
2020
What Was Supposed to Happen, Paul Johnstone Gallery – Darwin
2005
Bookends, Solo show, Wood Street Gallery (DVAA) – Darwin
2002
‘ME’ Carclew Art Space, Solo Exhibition – Adelaide
SELECTED GROUP EXHIBITIONS
2024
Bayside Gallery, ‘Bayside Paintig Prize’, Melbourne
2023
Summer New, James Makin Gallery, Melbourne
Northern Contemporary Cebtre of Art, ‘Too Bloody Hot’, Darwin
Hadley’s Hotel ‘En Plein Air Hobart’, Tasmania
2022
Hadley’s Art Prize, Hadley’s Orient Hotel – Hobart
Summer New, James Makin Gallery – Melbourne
Monochrome, Mitchell Fine Art – Brisbane
2021
Monsoon, Paul Johnstone Art Gallery – Darwin
Twenty, Mitchell Fine Art – Brisbane
2020
Paul Johnstone Art Gallery – Darwin
2019
Rick Amor National Portrait Prize – Melbourne
WAGS Art Prize – Darwin
Don Whyte ‘Off Cuts’ – Darwin
Territory Wildlife Park – Threatened species – Darwin
2018
Katherine Art Prize – Katherine
Don Whyte ‘Off Cuts’ – Darwin
2013
WAGS Art Exhibition – Darwin
2005
Blind Date, Wood Street Gallery (DVAA) – Darwin
2005
Cooperblack, Darwin Festival – Darwin
2005
UNI38 Graduate Art Exhibition, Charles Darwin University – Darwin
2004
Raw, Wood Street Gallery (DVAA) – Darwin
2003
‘Ramp’ 24 HR Art Gallery (members show) – Darwin
2002
Fringe 2002 ‘Open Sandwich’ – Adelaide
2001
SALA ‘conversations 9 by 5’ – Adelaide
Whyalla Art Prize ‘Onesteel Young SA Artists Award’ – Whyalla
2000
Fringe 2000 ‘Melisma’ – Adelaide
AWARDS/GRANTS/RESIDENCIES
2024
Bayside Gallery Finalist, ‘Bayside Painting Prize’, Melbourne
2023
Hadley’s Art Prize, One Month Residency, Tasmania
2022
Finalist Hadley’s Art Prize, Tasmania
Winner Hadley’s Art Prize Residency
2019
Finalist Rick Amor National Portrait Prize
First Prize WAGS Art Exhibition
Artist in Residence, Territory Wildlife Park
2013
First Prize WAGS Art Exhibition
2007
High Commendation. 24HR Art Graduate Art Award, Darwin
Raft Gallery Award, Graduate Art Exhibition, CDU
2001
First Prize Whyalla Art Prize, Young SA Artist’s Award
1995
Scholarship – Adelaide Central School of Art,
(under Rod Taylor, Anna Platten and Christopher Orchard)
Studio Residency: Carclew Youth Arts Centre, Adelaide
Opening Hours
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or by appointment
James Makin Gallery recognises the Wurundjeri people of the Kulin Nation as the sovereign custodians of the land on which we operate. We pay our respects to their elders past, present and emerging.