Working in the expanded field of painting, Emma Coulter, works with colour in a serial way. Through a refined colour palette, Coulter has created her own bold, idiosyncratic, spectrum, which she applies seamlessly across painting, sculpture, site-specific installation and public art, through a reductive, chromo-spatial approach. Founded in the roots of modernist abstraction, minimalism and conceptual art, her works are an investigation into the semantics of colour and form, and the creation of meaning and language through spatial arrangement, colour relationships and context. Coulter’s work navigates cultural structures that consider art’s place in society.
Through Coulter’s series of site-specific works, which the artist names ‘spatial deconstructions’, she astutely extends her painting practice, reinventing architecture to render it a painting and a support structure all at once. Embedded within these works is also the social context of their location, extending the work beyond formal concerns and offering subtle messages to the community. These are conveyed through the perceptual optics of colour sequences.
Following her undergraduate studies in visual art and the built environment at Queensland University of Technology, Brisbane, 2000, Coulter completed a Master of Contemporary Art at the Victorian College of the Arts, Melbourne, in painting, sculpture and spatial practice in 2015. Subsequently, Coulter has been awarded numerous grants, prizes, major public art projects, and museum installations, gaining increasing recognition.
Her most recent and notable accolades include the 2021 commission of her most important work to date: a 130-metre-long spatial deconstruction commission in central Melbourne, occupying an entire city block at Melbourne’s most prominent intersection. In the same year she was also the recipient of the biannual Footscray Art Prize (mural category), for her spatial deconstruction work on the Footscray Community Arts Centre facade. 2021 also saw the artists selection as QUT’s fourth Alumni Triennial at QUT Art Museum, with a presentation of sculptures, paintings, process work and a new site-specific intervention – this in acknowledgement of her significant achievements as an artist and alumnis. Coulter was the recipient of the Linden New Art Prize in 2016 and in 2018, following a Ian Potter Cultural Trust Grant, was invited to create a new, site-specific work for NewWoman, an exhibition celebrating the work of ground-breaking female artists held at the Museum of Brisbane
2023 will see Coulter achieve significant public artworks in Victoria and NSW as well as present a major solo exhibition ‘infinite systems’, in Melbourne at James Makin Gallery.
Coulter’s works have been exhibited nationally and internationally, at numerous institutional, commercial and artist-run spaces, as well as in situ in the public domain.
Working in the expanded field of painting, Emma Coulter, works with colour in a serial way. Through a refined colour palette, Coulter has created her own bold, idiosyncratic, spectrum, which she applies seamlessly across painting, sculpture, site-specific installation and public art, through a reductive, chromo-spatial approach. Founded in the roots of modernist abstraction, minimalism and conceptual art, her works are an investigation into the semantics of colour and form, and the creation of meaning and language through spatial arrangement, colour relationships and context. Coulter’s work navigates cultural structures that consider art’s place in society.
Through Coulter’s series of site-specific works, which the artist names ‘spatial deconstructions’, she astutely extends her painting practice, reinventing architecture to render it a painting and a support structure all at once. Embedded within these works is also the social context of their location, extending the work beyond formal concerns and offering subtle messages to the community. These are conveyed through the perceptual optics of colour sequences.
Following her undergraduate studies in visual art and the built environment at Queensland University of Technology, Brisbane, 2000, Coulter completed a Master of Contemporary Art at the Victorian College of the Arts, Melbourne, in painting, sculpture and spatial practice in 2015. Subsequently, Coulter has been awarded numerous grants, prizes, major public art projects, and museum installations, gaining increasing recognition.
Her most recent and notable accolades include the 2021 commission of her most important work to date: a 130-metre-long spatial deconstruction commission in central Melbourne, occupying an entire city block at Melbourne’s most prominent intersection. In the same year she was also the recipient of the biannual Footscray Art Prize (mural category), for her spatial deconstruction work on the Footscray Community Arts Centre facade. 2021 also saw the artists selection as QUT’s fourth Alumni Triennial at QUT Art Museum, with a presentation of sculptures, paintings, process work and a new site-specific intervention – this in acknowledgement of her significant achievements as an artist and alumnis. Coulter was the recipient of the Linden New Art Prize in 2016 and in 2018, following a Ian Potter Cultural Trust Grant, was invited to create a new, site-specific work for NewWoman, an exhibition celebrating the work of ground-breaking female artists held at the Museum of Brisbane
2023 will see Coulter achieve significant public artworks in Victoria and NSW as well as present a major solo exhibition ‘infinite systems’, in Melbourne at James Makin Gallery.
Coulter’s works have been exhibited nationally and internationally, at numerous institutional, commercial and artist-run spaces, as well as in situ in the public domain.
PUBLIC ART + MUSEUM COMMISSIONS
2023
spatial deconstruction #30 (social fabric), Shepparton Art Museum, Victoria
let them feel the light, Yarilla Place, Coffs Harbour Cultural Centre, Coffs Harbour NSW
2022
Gallery in the Sky, spatial deconstruction #28 (the grid), The Eighth, CREMA constructions, South Melbourne
spatial deconstruction #28 (the grid), The Eighth, Domain Precinct, Melbourne
spatial deconstruction #27 (cutout), Burt Healy Pavilion, Malvern East, Melbourne
2021
spatial deconstruction #26 (window intervention), QUT ART MUSEUM, Brisbane
spatial deconstruction #25 (perceptual vortex), Footscray Community Arts Centre, Footscray, Melbourne
spatial deconstruction #23 (resilience), City Square, Melbourne for the Metro Tunnel creative program
2020
spatial deconstruction #24 (wrapper), Richmond Town Hall, Melbourne
spatial deconstruction #22 (rainbow shelter), Burnett Lane, Brisbane
William Jolly Bridge projection, multichromatic synaesthesia, Brisbane
2019
spatial deconstruction #21 (portals), Dome Gallery, Museum of Brisbane, Brisbane
2018
spatial deconstruction #19 (inversion), Latrobe Art Institute, Bendigo
2016
spatial deconstruction #15 (gemstone with fireplace), LINDEN New Art, Melbourne
SELECTED SOLO EXHIBITIONS + INSTALLATIONS
2023
infinite systems, James Makin Gallery, Melbourne, Victoria
2022
folding forms, James Makin Gallery, Melbourne
2019-20
portals, Dome Gallery, Museum of Brisbane, Brisbane
2019
composites, THIS IS NO FANTASY + dianne tanzer gallery, Melbourne
2018
doppel symmetrie, ADHOC, Bochum, Germany
2017
trace patterns, PALMER Projects, Sydney
2015
chrominance, Anna Pappas Gallery, Melbourne
2015
chromo-spatial, CHASM, Brooklyn, New York
2014
threshold, five walls projects, Footscray, Melbourne
2013
transposition, pieces of eight, Melbourne
2012
shedding skin, Frankston Arts Centre, Mornington Peninsula
2011
viscerality, Kunstraum Tapir, Friedrichshain, Berlin, Germany
shedding skin, forty five downstairs, Melbourne, Victoria
2009
memory space, Jacob Hoerner Gallery, Melbourne, Victoria
2007
twofold, Jacob Hoerner Gallery, Melbourne, Victoria
2006
Emma Coulter works, Clayton Utz, Riparian Plaza, Brisbane, Queensland
2005
unseen, Fox Galleries, Fortitude Valley, Brisbane, Queensland
SELECTED GROUP EXHIBITIONS
2024
Sydney Contemporary, group show presentation by James Makin Gallery, Carriageworks, Sydney
Pattern Recognition, Hawthorn Town Hall Gallery
Melbourne Art Fair, presented by James Makin Gallery at Melbourne Convention and Exhibition Centre, Victoria
2023
New Acquisitions, ANZ gallery, Docklands, Victoria
Arthur Guy Memorial Finalists Exhibition, Bendigo Art Gallery, Victoria
Deakin Contemporary Small Sculpture Award, Deakin University Art Gallery, Burwood, Victoria
The art of the metrotunnel, Domain House, Melbourne
2022
Women in Abstraction, ANZ gallery, Melbourne, Victoria
2021
Thinking into being, Alumni Triennial, QUT Art Museum, Brisbane, Qld
Woollahra Small Sculpture Prize, Woollahra Gallery, Sydney
Sunshine Coast Art Prize, Caloundra Regional Gallery, Sunshine Coast, Qld
Footscray Art Prize, Footscray Community Arts Centre
Bayside Acquisitive Art Prize, Bayside Gallery, Brighton, Melbourne
2020
Sunshine Coast Art Prize, Caloundra Regional Gallery, Sunshine Coast, Qld
FIVE TEN TWENTY TWENTY, five walls, Footscray
2019
NEW WOMAN, Centenary Exhibition, Museum of Brisbane, Brisbane
Nillumbik Contemporary Art Prize, Montsalvat, Melbourne
2018
support structure, Latrobe Art Institute, Bendigo
Deakin Contemporary Small Sculpture Award, Deakin University Art Gallery, Burwood
WAVE, BSA project space, Byron School of Art, Mullumbimby
2017
9X5NOW, ART150 Historical Exhibition, Margaret Lawrence Gallery, VCA, Melbourne
2017
Mixed tape, PALMER projects, Sydney
2016
Woollahra Small Sculpture Prize, Woollahra Council Chambers, Sydney
Linden Art Prize, Linden New Art, St Kilda, Melbourne
2015
VCA masters exhibition, Victorian College of the Arts, St Kilda Rd
faux fair, c3 artspace, The Abbotsford Convent, Abbotsford
colour imperative, Rubicon ARI, North Melbourne, Victoria
2014
marvel, the windsor prize, Hotel Windsor, Melbourne
no werk, trocadero artspace, Footscray, Melbourne
parking lot, VCA gallery, Southbank, Melbourne, Victoria
2013
the hills are alive, Paradise Hills Gallery, Richmond, Melbourne, Victoria
artmonth emerging artists finalists exhibition, Depot two, Sydney, New South Wales
2012
from paradise, James Makin Gallery, Collingwood, Melbourne, Victoria
studio artists, Paradise Hills Gallery, Richmond, Melbourne, Victoria
2011
the space between, Neukölln, Berlin, Germany
OTHER SITE SPECIFIC INSTALLATIONS
2022
spectrum warp #3, Painting commission for Metro Tunnel Collection
2019
spatial deconstruction #20 (barn intervention), Montsalvat, Melbourne
2018
insitu painting #01, (composites), THIS IS NO FANTASY, Melbourne
spatial deconstruction #18, (doppel symmetrie), adhocraum, Bochum, Germany
spatial deconstruction #17, (wave), BSA project space, Byron Bay
2017
spatial deconstruction #16, (truncated geometry), PALMER, Sydney
2015
spatial deconstruction #13 and #14, (hood and spectrum), ‘beyond painting’, VCA
spatial deconstruction #12, (warped apex), Anna Pappas Gallery, Melbourne
spatial deconstruction #11, (prismatic), CHASM, Brooklyn, New York
2014
spatial deconstruction #10, (collision), Five Walls Projects, Footscray, Melbourne
spatial deconstruction #09, (marvel intervention), Hotel Windsor, Melbourne
spatial deconstruction #08, (the alter), 17 Wills st,, Art Deco Building, Melbourne CBD
spatial deconstruction #07, (rainbow), VCA open day, VCA, Melbourne
spatial deconstruction #06 (equilateral), VCA Gallery, Melbourne
spatial deconstruction #05, (cube), Black Hole, VCA, Melbourne
spatial deconstruction #04, (vortex), VCA project space, VCA, Melbourne
spatial deconstruction #03, (window), VCA studio, VCA, Melbourne
spatial deconstruction #02, (pendant), Bracks corridor, VCA, Melbourne
spatial deconstruction #01, (prism), the Cage, VCA, Melbourne
private painting commission, Artesian Investments
2013
installation, pieces of eight facade, Russell Place, Melbourne
private painting commission, domestic space
2012
private painting commission, domestic space
AWARDS/ PRIZES/ RESIDENCIES
2024
Finalist, Stanthorpe Art Prize
Finalist, Bayside Painting Prize
2023
Finalist, Arthur Guy Memorial Prize
Finalist, Deakin Contempoary Small Sculpture Award
2022
recipient, Creative Victoria, sustaining creative workers grant
2021
winner, Footscray Art Prize (mural category)
finalist, Sunshine Coast Art prize
finalist, Woollahra Small Sculpture Prize
finalist, Bayside Acquisitive Award
2020
finalist, Sunshine Coast Art prize
2019
finalist, Nillumbik Contemporary Art Prize
2018
recipient, Ian Potter Cultural Trust Grant
finalist, Deakin Contemporary Small Sculpture Award
2016
winner, Linden Art Prize, Linden New Art
winner, Woollahra Small Sculpture Prize Viewer’s Choice Award
2015
recipient, Fiona Myer Award for excellence, VCA, University of Melbourne
recipient, NAVA Australian Artists Grant
2014
recipient, Jim Marks Postgraduate Scholarship, VCA, University of Melbourne
recipient, faculty grant, VCA, University of Melbourne
2014
finalist, the Windsor Prize, VCA, Hotel Windsor
2013
finalist, NAB artist award (artmonth Sydney)
2011
takt kunstprojektstraum residency, Friedrichshain, Berlin, Germany
2000
Deans Award for Excellence – Faculty of Built Environment + Engineering
QUT Head of School Award (School of Architecture)
1999
QUT Head of School Award (School of Architecture)
Opening Hours
Wednesday–Saturday
12pm–5pm
or by appointment
James Makin Gallery recognises the Wurundjeri people of the Kulin Nation as the sovereign custodians of the land on which we operate. We pay our respects to their elders past, present and emerging.