Through her paintings Betra Fraval graphically and poetically interprets the landscapes she encounters. Her graphic abstractions use visual languages of cartography and geographic strata as frameworks for understanding the hidden meanings that particular places hold. Often these places map the artist’s travels and worldy surrounds. In State of Slow Shift Fraval charts the common ground between seemingly disparate environments she has encountered in the past year: the glaciers of Norway and Ben Lomond mountain, Tasmania.
In each of these landscapes, there are powerful undercurrents of knowledge and reflection. Glaciers move at an imperceptible pace, testimonies of the strength of quiet progress. For Ben Lomond, there is a breathtaking awareness of the vastness of time. Its mountainous rock formations date to the Jurassic period and what we experience of them is a mere blink in their history. It hints at the slow, but inevitable passing of time which eventually overtakes all things. Both landscapes are in constant states of slow shift – monuments of past and future.
Through her paintings Betra Fraval graphically and poetically interprets the landscapes she encounters. Her graphic abstractions use visual languages of cartography and geographic strata as frameworks for understanding the hidden meanings that particular places hold. Often these places map the artist’s travels and worldy surrounds. In State of Slow Shift Fraval charts the common ground between seemingly disparate environments she has encountered in the past year: the glaciers of Norway and Ben Lomond mountain, Tasmania.
In each of these landscapes, there are powerful undercurrents of knowledge and reflection. Glaciers move at an imperceptible pace, testimonies of the strength of quiet progress. For Ben Lomond, there is a breathtaking awareness of the vastness of time. Its mountainous rock formations date to the Jurassic period and what we experience of them is a mere blink in their history. It hints at the slow, but inevitable passing of time which eventually overtakes all things. Both landscapes are in constant states of slow shift – monuments of past and future.
SELECTED SOLO EXHIBITIONS
2024
Mountains of the Mind, James Makin Gallery, Melbourne
2022
Melbourne Art Fair, James Makin Gallery, Melbourne
2020
State of Slow Shift, James Makin Gallery, Melbourne
The Twelve Winds, Res Artists, Glasshouse Studio, Melbourne
2019
Wanderer, James Makin Gallery, Melbourne
2017
Moving Mountains, James Makin Gallery
2015
Falling into the Sky, Anna Pappas Gallery, Melbourne
The Rope Doesn’t Hang…the Earth Pulls, Five Walls Projects, Melbourne
2013
Still Remains, C3 Contemporary Art Space, Melbourne
2012
The Dead Tree Gives No Shelter, Linden Centre for Contemporary Arts, Melbourne
2011
A Time of Disappearances, Dianne Tanzer Gallery, Melbourne
2010
Captured Traces, Carbon Black Gallery, Melbourne
2008
Unstable Ground, Victoria Park Gallery, Melbourne
SELECTED GROUP EXHIBITIONS
2024
The Anxiety Project, The Dax Centre, Melbourne
Melbourne Art Fair, James Makin Gallery, Melbourne
2022
Bayside Acquisitive Art Prize, Finalist Exhibition, Bayside Gallery, Melbourne
Spring: Group Exhibition, James Makin Gallery, Melbourne
2021
Summer New, James Makin Gallery, Melbourne
2020
Journey Around My Room, Bus Projects, Melbourne
Melbourne Art Fair, Melbourne
John Leslie Art Prize, Gippsland Art Gallery
2019
Summer New, James Makin Gallery, Melbourne
The Utopian Object, C3 Contemporary Art Space, Melbourne
2018
Sydney Contemporary Art Fair, James Makin Gallery
Selected works by represented artists, James Makin Gallery, Melbourne
2016
Stratum, C3 Contemporary Art Space, Melbourne
Expanded Gaze Bundoora Homestead Melbourne
The Agency of Things, Anna Pappas Gallery, Melbourne
2014
VCA Graduate Exhibition, Victorian College of the Arts, Melbourne
2013
Wish You Were Here (SWARM), Linden Centre for Contemporary Art, Melbourne
2011
Disappear, Kings ARI, Melbourne
A4 Art, Westspace Gallery, Melbourne
2010
Forged, Trocadero Gallery, Melbourne
2009
Keith and Elisabeth Murdoch Travelling Fellowship, VCA Margaret Lawrence Gallery, Melbourne
2007
In the Shadows of Opulence, Seventh Gallery, Melbourne
AWARDS / GRANTS / RESIDENCIES
2024
John Leslie Art Prize
Paddington Art Prize
2022
Bayside Acquisitive Art Prize (finalist), Melbourne
2020
John Leslie Art Prize (finalist), Gippsland Art Gallery
2019
Helsinki International Artist Programme, Finland
Hôtel Sainte Valière, France
R&M McGivern Prize (Finalist), Melbourne
2018
Sachaqa Centro De Arte Artists Residency, Peru
BigCi Artists Residency, Blue mountains
2016
John Leslie Art Prize (finalist), Gippsland Art Gallery
Cowwarr Art Residency, Victoria, Australia
2015
Banyule Award Works on Paper (finalist), Hatch Contemporary Arts Space
2014
McClelland Sculpture Award (finalist), McClelland Gallery & Sculpture Park
Galloway Lawson Award , Victorian College of the Arts
2011
Janet Holmes à Court Artists’ Grant, National Association for the Visual Arts
Works on Paper Prize (finalist), Hazelhurst Regional Gallery, NSW
2009
Keith and Elisabeth Murdoch Travelling Fellowship (finalist), VCA Margaret Lawrence Gallery, Melbourne
Sankriti Kendra Art Residency, New Delhi, India
2006
Seventh Exhibition Grant, Seventh Gallery, Making Space ARI Festival
2005
Maude Glover Fleay Award, Victorian College of the Arts
Tolarno Hotel VCA Annual Art Award, Victorian College of the Arts
Opening Hours
Wednesday–Saturday
12pm–5pm
or by appointment
James Makin Gallery recognises the Wurundjeri people of the Kulin Nation as the sovereign custodians of the land on which we operate. We pay our respects to their elders past, present and emerging.